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Search resuls for: "David Kordansky"


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In Martha Diamond’s Art, She Took Manhattan
  + stars: | 2024-04-11 | by ( Jonathan Griffin | ) www.nytimes.com   time to read: 1 min
Martha Diamond, who died in December, at age 79, was remarkably consistent in her subject matter — namely New York architecture — but extraordinarily wide-ranging with what a painting of a building could signify. In some of the works displayed in her first show at the David Kordansky Gallery, “Martha Diamond: Skin of the City,” it seems as if her only concern was for color; in others, abstract form takes over. In a painting such as “New York With Purple No. 3” (2000), the tall buildings appear to evaporate into the busy sky, architectural solidity succumbing to shimmering atmosphere and dappled, springtime light. Diamond’s paintings may have been of New York, her muse since she settled into a loft on the Bowery in 1969, but they are about so much more besides.
Persons: Martha Diamond, David Kordansky, “ Martha Diamond Organizations: City Locations: New York, , York
The David Kordansky Gallery has mounted a wonderful wormhole of an exhibition, “Doyle Lane: Weed Pots.” Its point of access is the small unassuming “weed pot,” a frequent accent in modern California interiors starting in the late 1950s. From this seemingly modest beginning, Lane (1923-2002), who was African American, created a dazzling universe of color, shape, texture and proportion. He also made ceramic tile, pendant jewelry, paintings and murals, but the “weed pot" is his signature. Kordansky’s generous display of 100 pots is Lane’s first solo show in New York. Lane didn’t invent the “weed pot,” but as this exhibition proves, he perfected it.
Persons: David Kordansky, “ Doyle, Lane Organizations: African Locations: California, African American, New York, El Sereno, East Los Angeles, Peru, China
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